The artist does not create. To create you have to start from nothing and get something. Only God can create. The artist observes and perceives, organizes the perceptions and solidifies the perceptions into concrete form.

As in any occupation, a strong foundation is important. To the visual artist, the ability to draw well is paramount. In building the drawing foundation, many aspects should be considered. The basic academic discipline of rendering form and form systems—light, shade, variety of line, overall design in geometric and organic shape—is a good starting point. Later, the study of anatomy and figure drawing helps in the perception of the eye and the control of the hand.

Drawing does not necessarily mean pencil on paper. The act of drawing encompasses many points. As a friend of mine used to say, “All the possibilities are possible.” Display the ability to make adjustments and consider other possibilities. This scenario is about compromise. Many think compromise is undesirable.

Statement

However, I believe the ability to compromise is a great asset. Those who will not compromise will die with their feet cemented to the ground.

Everything is legal tender. Problems of undesirable characteristics should be met with the same enthusiasm and resolve as problems of greater interest.

Drawing is an essential tool in the arsenal of the artist. The act of drawing not only solidifies thoughts and ideas, but also opens the avenues of discovery through application (hands-on exercise) and those unexpected happenings which occur when performed. These unexpected happenings make art art. The power to manipulate and be manipulated during the metamorphosis of the drawing exercise builds confidence and broadens your artistic horizons.

Ed Rainey December, 1988